Stella Polaris

Stella Polaris, Latin for The North Star is an interactive light installation that allows visitors to participate in creating an ambient experience by influencing their surroundings through movement and positioning. Inspired by the navigation of our paths throughout history, Stella Polaris connects bygone and present knowledge with modern technologies to look at how unseen forces can alter our surroundings. Stella Polaris seeks to impact the behaviour and perception of both passive and active participants in the physical world.

Stella Polaris consists of five pillars, outlining the shape of a star. The installation and it’s North Star pattern are oriented such that the top of the star is the northernmost pillar and is facing due north. For generations, The North Star was used for navigation, wayfinding, and global positioning. Like The North Star, Stella Polaris provides a unique form of modern navigation. It employs invisible and often unexplained Bluetooth Low Energy beacon technology traditionally used for navigation and positioning to facilitate engagement and interaction through sensing and listening for signals emitted from smartphones and other smart devices. It is this passive listening that allows Stella Polaris to calculate the position of the participants and react to the presence of an audience.

At night the installation emits a radiance of colour resembling the Aurora Borealis. The pillar’s shimmer reacts to the presence of participants moving around the grounds. It’s this movement that influences the constant evolution of the warm and lively energy of each autonomous pillar. Visitors to the exhibition are asked to engage with the installation by exploring how their presence affects their environment. Visitors can explore how proximity and movement are reflected back through the installation. Do their actions align with the installations interpretation of their journey throughout the space? How does the understanding of our influence upon the installation change as the number of participants increase or decrease? Can our interactions with the piece also shift the affective experience of other attendees?

During the day, while the interactive lights still exist, visitors are also asked to explore the materiality of the installation and the effect the Ontario seasons have on the installation during the exhibition. Depending on the season, Stella Polaris’ acceptance into the natural environment will progress and evolve, questioning the role of technology in the natural world.

Stella Polaris tries to highlight the invisible nature of modern technology and the devices we depend on. It aims to encourage thought about the adoption and acceptance of technology, as well as the ever-changing complex role it plays within our society. How can seeing our digital reflection affect our relationship and understanding of the impact that technology has on the individual and the larger population in public and private space?

Jordan Shaw:

Jordan is an artist and creative technologist based in Toronto, Canada. He is a graduate of OCAD University’s Digital Futures MFA program where his interactive installation Habitual Instinct received the award for Best Exhibited Thesis Work. Along with developing his artistic practice, Jordan leads a multi-disciplinary innovation team at UNION Creative. Recently they exhibited a large-scale interactive data visualization that was exhibited during Nuit Blanche, 2018.

Having an academic background in Interactive Multimedia and Design, New Media Art, Computer Science and Fine Art, Jordan combines his diverse skill set to facilitate discussions around the current relationships between society and our digitally connected identities. The overarching theme that connects his body of work is the exploration of the integration of technology into modern society and its invisible by-products. It’s these unnoticed, yet very real elements of technology and how they can influence our lives both online and offline that he finds the most interesting.

Jordan has had work exhibited internationally in Australia, Canada and the United States. His work has been shown at ACM SIGGRAPH SpaceTime Student Competition, Toronto Design Offsite Festival and Vector Festival. Jordan has been recognized individually and in collaboration with teams by a number of publications including; Canadian Art, Pitchfork, The Creators Project, Prosthetic Knowledge, Marketing Mag, Strategy Online, Exclaim.ca, BlogTO and Torontoist.

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